Jiyu SPA

The blue-lit room is organised around a dark reflective centre, with warmer light appearing towards the rear of the view. Reflections make the boundaries between floor, surface and background less immediate. Other photographs introduce seating and amber-toned enclosures, moving the reading back towards the scale of the room’s occupants. The sequence shows contrasting moments rather than a single repeated visual effect.

Printed glass is part of the material language recorded for this project. Decorative surfaces appear alongside seating, passages and enclosure details, with their visual presence shaped by the light and views around them. Broad room photographs emphasise colour and reflection. Closer views reveal the relationship with the furniture and the edges of the surrounding space, bringing the material back to an intimate scale.

Blue and amber create a pronounced tonal contrast, while repeated vertical lines and reflections extend the apparent depth of the scenes. Darker areas give the brighter surfaces space to stand out. At closer range, the glass is read alongside furniture and other interior details. These shifts in scale offer a reference for considering colour as part of a spatial sequence, rather than as a finish selected alone.